PROJECTS:Interpretation
July 15 - August 1
PROJECTS:Interpretation
Tanya Madsen (Victoria, BC), Stacia Verigin and Chai Duncan (Victoria, BC),
Donato Mancini, Jeremy Turner and Flick Harrison (536) (Vancouver, BC)
VERNISSAGE/SCREENING & ARTISTS' TALK: August 1, 7pm
PROJECTS: Interpretation consists of three projects that are intended to explore an anthropological sensibility. For the purpose of the exhibition, this sensibility is being defined as, "observing the actions and interactions of elements engaged in the construction of environments"—from the mock city in Tanya Madsen's resilient pinus conus, to the learning environment in Stacia Verigin and Chai Duncan's Cast of Idioms, to the virtual reality that is documented in AVATARA by Donato Mancini, Jeremy Turner and Flick Harrison (536).
PROJECTS:Interpretation
Tanya Madsen (Victoria, BC), Stacia Verigin and Chai Duncan (Victoria, BC),
Donato Mancini, Jeremy Turner and Flick Harrison (536) (Vancouver, BC)
VERNISSAGE/SCREENING & ARTISTS' TALK: August 1, 7pm
PROJECTS: Interpretation consists of three projects that are intended to explore an anthropological sensibility. For the purpose of the exhibition, this sensibility is being defined as, "observing the actions and interactions of elements engaged in the construction of environments"—from the mock city in Tanya Madsen's resilient pinus conus, to the learning environment in Stacia Verigin and Chai Duncan's Cast of Idioms, to the virtual reality that is documented in AVATARA by Donato Mancini, Jeremy Turner and Flick Harrison (536).
Continuing through January, 2004
WALLPAPER
Lucy Pullen (Victoria, BC)
In April of 1998 Lucy Pullen spent time in residence at the Stramur Art Commune outside the town of Hafnarfjorour, Iceland. There she began the preliminary work on the wallpaper installed in the foyer of Open Space, Victoria, British Columbia.
WALLPAPER
Lucy Pullen (Victoria, BC)
In April of 1998 Lucy Pullen spent time in residence at the Stramur Art Commune outside the town of Hafnarfjorour, Iceland. There she began the preliminary work on the wallpaper installed in the foyer of Open Space, Victoria, British Columbia.
TESTIMONY
Continuing through January, 2004
in the Resource Centre
TESTIMONY
Andrew Taggart (Montreal, PQ)
Below is the card left behind by the artist, Andrew Taggart, in each magazine from the Resource Centre ‘subscription wall’ as a small punch, 1cm x 1cm was removed and glued to the head of a nail horizontally lined below the ‘subscription wall’. All thirty-six nails were followed and notated for the viewer, for the opening, so that they could trace the article from which the ‘punch’ had been removed.
After the opening and during the length of the exhibition, the nails have been further numbered and framed.
in the Resource Centre
TESTIMONY
Andrew Taggart (Montreal, PQ)
Below is the card left behind by the artist, Andrew Taggart, in each magazine from the Resource Centre ‘subscription wall’ as a small punch, 1cm x 1cm was removed and glued to the head of a nail horizontally lined below the ‘subscription wall’. All thirty-six nails were followed and notated for the viewer, for the opening, so that they could trace the article from which the ‘punch’ had been removed.
After the opening and during the length of the exhibition, the nails have been further numbered and framed.